This encouraged the Ramsays (as they were known) to experiment with Do Gaz Zameen Ke Neeche (1971), based on a story narrated by Fatehchand's daughter Asha to her father. The film didn't work, but it was noticed that the “monster” sequence was popular with the audience. In a scene in Ek Nanhi Munni Ladki Thi, Prithviraj Kapoor wears a devil's mask to carry out a robbery and terrifies Mumtaz.

All of these films flopped, and the Ramsays were reeling under huge debts when inspiration struck.

A long hiatus followed, but the lure of the movies was great, and Fatehchand later produced the films Rustam Sohrab (1963) and Ek Nanhi Munni Ladki Thi (1970). It was a dismal flop, despite featuring a rendition of Sarfaroshi ki tamanna in Mohammad Rafi's voice. For reasons that are not clearly understood, but perhaps lured by the lottery-like wealth which the film industry blandished, Fatehchand joined a group of other Sindhi refugee businessmen to produce the film Shaheed-e-Azam Bhagat Singh (1954). Then as now, Mumbai was the center of showbiz in India. The shop did reasonably well, but the family was large, and money was not abundant. They were resettled in Mumbai, and Fatehchand, along with his elder sons, set up a tiny electronics shop in Lamington Road, thanks to a dealership agreement with the same manufacturer of radio sets and other electronic goods who had been their principal in Karachi. Ramsay) came with his extended family, including his wife, seven sons and two daughters, to India. In 1947, the Partition of India happened, and they were forced to flee their native land, which had been their motherland since time immemorial, for fear of being killed by the Muslims. They belong to a trading caste, and in the early decades of the 20th century, the Ramsinghani family used to run electronics shops (mainly radio sets) in Karachi and Lahore. The actual surname of the Ramsay family is Ramsinghani, and they are a Hindu family hailing from Sindh province in present-day Pakistan.

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